Gabriel Fuks

Suave SP

01 city. 14 photographers. 6am–6pm. 01 week. Read more

2018

ClientVoid/Samsung
scope

Motion, Photo, Editorial, Installation

Void magazine sent sixteen photographers across São Paulo to document nightlife from 6pm to 6am for a whole week. The assignment, commissioned by Samsung via its agency to showcase the then-new Samsung S22, began as a photography issue. After the agency censored a large portion of the images, it later agreed to finance an uncensored edition published by Void. The project subsequently expanded into a film. My role combined fieldwork and post: shooting, magazine co-edit, film edit, and motion graphics. For the launch, a site-specific projection installation extended the work into the space.

Rio de Janeiro Museum of Justice

Renewing an iconic cultural institution for the modern era. Read more

2025

ScopeIdentity, Exhibition, Video, Digital
designGabriel Fuks
Quinta-feira

As part of the museum’s renewal, the visual identity and exhibition graphics were rebuilt for the permanent collection and two shows. Scope spanned print, video, digital and social channels, invitations, and promotional materials, unified by a modular system and consistent typography. Exhibition identity and gallery graphics included wall text, section panels, object labels, and promotional print, delivered as reusable templates and standards. This supported immediate programming while establishing foundations for future exhibitions.

Guided by the goal of bringing justice closer to the public, the work prioritized plain language, clear hierarchy, and legibility; titles, dates, and curatorial texts were standardized for quick scanning, and file kits, type scales, and layout rules were documented so the museum’s team can produce new materials autonomously, ensuring continuity over time. The result is a clearer, more approachable presence that helps the museum communicate its collection and program to broader audiences.

~~Falklands~~ Malvinas: a War diary

Frame by frame opening titles and motion inspired by W. Kentridge. Read more

2024

ClientGloboplay
DesignGabriel Fuks
Quinta-feira

scope

Title, Motion

The feature documentary ~~Falklands~~ Malvinas: a War Diary follows war journalist Ricardo Pereira as he revisits an Argentine soldier’s diary he discovered during the Falklands conflict. In the final months of his life, he seeks its author and proposes a return to the islands, shaping a last story of memory, loss, and reconciliation. Opening titles and motion graphics, including a library of editorial graphics (intertitles, lower-thirds, and geography/time markers), were developed to articulate this arc. As the diary guides the narrative flow, a hand-drawn treatment with gestures inspired by William Kentridge was chosen to set a reflective, historical tone. After Effects was used to build the collage base by layering fragments from various videos into compositions, then Procreate was used to hand-draw the final piece frame by frame. Watch here

Automatica

Two decades of work as an archive and internal publishing hub. Read more

2024

ScopeWebsite

Since 2005, Automatica has been developing cultural projects across creation, production, curation and coordination for exhibitions, educational programs and publications—building a portfolio through collaborations with artists, curators, cultural institutions, as well as participation in calls and awards. The new website, designed to showcase this breadth, uses a modular identity and a lightweight structure on a no-code platform to keep costs down while staying polished and reliable. A search and filtering tool helps visitors navigate a large archive, and the same system doubles as an accessible internal repository, reflecting nearly two decades of activity. Visit live site

Iras Fajro

Layered, lyrical visual sequences for Iras Fajro album concert. Read more

2019

Scope
Motion, Live visuals

Narrative animations were designed for Iras Fajro, Yamila’s debut on Forbidden Colours. Invited by the artist to shape the visual language, the work answers the album’s dreamy, nostalgic atmosphere with archival footage, woven into slow, layered lyrical sequences. The visuals mirror the tension between pulsing synthesis and a fragile, close-miked voice that at times unfolds into small choral clusters, with contributions from Clark (Warp) and Niño de Elche (Sony).

For the final compositions, archival footage was slowed dramatically and blended in layers to create ethereal, dreamlike sequences that echo the album’s dynamics. A process that combines live VJ techniques with motion graphics guided the narrative flow, pairing crisp rhythmic structures with warm, organic textures, with motifs paced to breathe with the tracks. The result frames the music with a restrained, sensorial language suited to video, stage, and digital rollout.

Linkedin Instagram Email